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Nodoka

Okisawa

Conductor

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Nodoka Okisawa

Chief Conductor, City of Kyoto Symphony Orchestra

Nodoka Okisawa has been Chief Conductor of the City of Kyoto Symphony Orchestra since 2023, and her contract has now been extended a further three years until March 2029. In February 2024 she was also named as the first ever Principal Guest Conductor of the Matsumoto Festival by its’ founder, Seiji Ozawa. She is also General and Artistic Director of Aomori Music Festival.

In the 26/27 season Okisawa makes her much anticipated return to the Melbourne Symphony to conduct a programme featuring pieces by Takemitsu, Poulenc’s Piano Concerto for two Pianos and his Sinfonietta. While in the region she will also make her debuts with Auckland Philharmonia and Tasmania Symphony Orchestra. She will also make her debut with The Hallé at Manchester’s Bridgewater Hall conducting Rachmaninov’s Piano Concerto No.3 and Prokofiev Symphony No. 5. In the spring she will make her debut with Latvian National Symphony, return to Oulu Symphony to lead the Mozart Requiem and will embark on an ambitious project with Luxembourg Chamber Orchestra co-curating concerts with a renowned film director, composer, and painter Pierre Földes to complement a city-wide exhibition. She also completes her Prokofiev Cycle with the City of Kyoto Symphony.

Other recent highlights have been with the London Philharmonic Orchestra, Dortmund Philharmonic, The Boston Symphony, Royal Scottish National Orchestra, Kammerorchester Basel, Orchestre symphonique de Québec and the BBC National Orchestra of Wales. She also returned to Münchner Symphoniker, having been Artist in Residence during the 2022/23 season.

Much in demand in Japan, Nodoka Okisawa enjoys working regularly with such orchestras as Yomiuri Nippon Symphony, Tokyo Metropolitan Symphony, NHK Symphony, Tokyo Symphony and Japan Philharmonic. In February 2025 she conducted a full run of Bizet’s "Carmen" at Tokyo Nikikai Opera Foundation and she will return to them in future seasons. She had previously worked at this house on Lehár's "The Merry Widow". Her first encounter with the Saito Kinen Orchestra was at the 2022 Matsumoto festival, where she conducted Mozart’s "Le Nozze di Figaro" in a production by Laurent Pelly and at the 2025 Festival she conducted Britten’s "A Midsummer Night’s Dream" to great international critical acclaim.

Nodoka Okisawa is the winner of the prestigious Concours international de jeunes chefs d'orchestre de Besançon 2019, where she was awarded the ‘Grand Prix’, the Orchestra Prize and the Audience Prize. Furthermore, in 2018, she won the Tokyo International Music Competition for Conducting, one of the most important international conducting competitions.

From 2020 to 2022, Nodoka Okisawa held a scholarship at the Karajan-Akademie of the Berliner Philharmoniker and was also assistant to Kirill Petrenko. In addition to her own concert projects with the academy members of the Berliner Philharmoniker, she also conducted the Solidarity Concert for Ukraine in March 2022 with members of the Berliner Philharmoniker at the invitation of the Federal President of Germany, Frank-Walter Steinmeier. Another highlight was the joint anniversary concert with Kirill Petrenko to mark the 50th anniversary of the Karajan-Akademie in May 2022. In 2023, Nodoka Okisawa was awarded the ‘Hideo Saito Memorial Fund Award’ by the Sony Music Foundation and in 2020 she received the Akeo Watanabe Music Foundation Award.

Born in Aomori, Japan, she learned to play the piano, cello and oboe from an early age. She studied conducting at the Tokyo University of the Arts with Ken Takaseki and Tadaaki Otaka and graduated with a master’s degree. In 2019, she obtained her second master’s degree at the Hochschule für Musik Hanns Eisler Berlin under Christian Ehwald and Hans-Dieter Baum. Nodoka Okisawa lives in Berlin with her husband, two children and two cats.

SEASON 2026/ 2027


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"How Okisawa gives the orchestra security, how she shapes the complex score with natural authority, and boldly stretches the volume spectrum in all directions, that impresses. We will see her again, hopefully soon!"

Der Tagesspiegel, Frederik Hanssen, 04.12.2019

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