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Khatia

Buniatishvili

Piano

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Khatia Buniatishvili

Khatia Buniatishvili does not seek the perfect sound, but the truth of a musical moment. This approach, together with her exceptional expressive power, shapes her playing and turns each of her interpretations into a personal and immediately moving experience. She never regards technical brilliance as an end in itself, but always as a means of revealing the emotional depth of a work.

Born in Tbilisi in 1987, she received her first piano lessons from her mother at the age of three. Together with her sister Gvantsa, also a pianist, she discovered the world of music early on. She made her debut as a soloist with orchestra at the age of six, with international invitations following while she was still very young. She has always rejected the label of child prodigy, describing her artistic development instead as a lifelong search for authenticity and personal expression. Among her most important musical influences are Sergei Rachmaninoff, Sviatoslav Richter, Glenn Gould and, above all, Martha Argerich, whose uncompromising individuality she deeply admires. Georgian folk music, too, has left a lasting mark on her sense of sound, lending her playing that characteristic blend of warmth, melancholy and immediate expressivity.

After studying at the Tbilisi State Conservatoire with Tengiz Amiredjibi, she continued her training at the Universität für Musik und darstellende Kunst Wien with Oleg Maisenberg. She first drew international attention through competition successes while still a student, before her Carnegie Hall debut in 2008 marked the beginning of an exceptional international career.

Today Khatia Buniatishvili appears regularly in the world's leading concert halls, among them Carnegie Hall in New York, the Wiener Musikverein, the Concertgebouw Amsterdam, the Berliner Philharmonie, the Philharmonie de Paris and Suntory Hall in Tokyo. She works with leading orchestras such as the London Symphony Orchestra, the Los Angeles Philharmonic, the Israel Philharmonic Orchestra, the Orchestre de Paris, the Münchner Philharmoniker, the Bavarian Radio Symphony Orchestra and the NHK Symphony Orchestra. Her musical partners include conductors such as Zubin Mehta, Gustavo Dudamel, Paavo Järvi, Semyon Bychkov, Yannick Nézet-Séguin, Philippe Jordan and Klaus Mäkelä. She is also a regular guest at renowned festivals including the Salzburger Festspiele, the BBC Proms, the Verbier Festival, the Klavier-Festival Ruhr and the Festival de La Roque d'Anthéron.

Since 2011 Khatia Buniatishvili has recorded exclusively for Sony Classical. Her award-winning discography comprises the albums “Liszt” (2011), “Chopin” (2012), “Motherland” (2014), “Kaleidoscope” (2016), “Rachmaninoff” (2017), “Schubert” (2019), “Labyrinth” (2020) and “Mozart: Piano Concertos Nos. 20 & 23” (2024). Her recordings have received numerous accolades, including two ECHO Klassik awards.

Alongside her concert work, Khatia Buniatishvili has for many years been committed to humanitarian and social causes. She performed at the United Nations benefit concert marking its 70th anniversary in aid of Syrian refugees, took part in the Global Citizen Festival Hamburg, and gave a charity concert in Kyiv in aid of those wounded in the Anti-Terrorist Operation Zone. She has likewise contributed to projects such as “To Russia with Love”, opposing human rights violations in Russia, as well as to events held as part of the UN Climate Change Conference and the DLDWomen Conference. For Khatia Buniatishvili, music is far more than an art form: she sees it as a universal language that connects, gives hope and brings people together across cultural and political boundaries. Her artistic independence, her emotional truthfulness and her uncompromising devotion to music make her one of the defining pianists of our time.

SEASON 2026 / 2027


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Press

"A revolutionary of sounds and ideas, who is not yet detached from tradition."

Rheinische Post, Wolfram Goertz, 15.03.2024

"Kazuki Yamada and the CBSO presented Berlioz’s visionary masterpiece with the greatest passion, playful boldness and interpretive sophistication that enthralled the audience in euphoria. Under Yamada’s exemplary motivating leadership, the CBSO unfolded the full range of orchestral colours and emotions, from the delicate and dreamy passages to the powerful and dramatic moments."

Online Merker, Dirk Schauss, 10.03.2024

"It’s clear the CBSO players adore him and they signed off with an affectionate Chanson de nuit encore. This is going to be an interesting relationship to follow."

Bachtrack, Mark Pullinger, 25.07.2022

"What the City of Birmingham Symphony Orchestra, under the direction of its new chief conductor Kazuki Yamada, achieved in the sold-out Great Hall of the Alte Oper, was a true firework display of orchestral brilliance and precision."

Frankfurter Allgemeine, Johannes Liebig, 11.03.2024

"Kazuki Yamada and the CBSO have an electric connection. The orchestra play with a unity and a precision under his baton that I have seldom heard with anyone else."

Bachtrack, Robert Gainer, 02.02.2023

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